A fellow artist recently mentioned that he likes complete silence when he’s writing. I’m one who needs music. I’ve tried the total-silence approach, but it makes my ears feel like they’re stuffed with cotton.
But my using music to write isn’t the right answer, or the best answer, or anything except my preference. I’ve read his work; it’s incredible. The write-in-silence process works for him.
The key secret that nobody tells you: There are NO right and wrong answers. There’s only what works for you, enabling you to get the job done.
This is why I’m wary of writing classes. They can be valuable tools, but remember that the instructor is not the ultimate authority on what works and what doesn’t. Years ago, I took a short story online class from a place which I won’t mention. The instructor used one approach. I used another. She told me I was wrong. Not good.
In the fiction world, there are plotters and there are pantsers, and some folks who are a bit of both.
You know the plotters when you see them. They’re the ones with color-coded post-it notes threaded throughout their synopsis and manuscript. They know what has to happen when, they have timelines, graphs, charts, colored dots for when each event occurs, etc. They’re efficient, organized and often produce many pages because they’ve already laid out where they want to go. They’re hard to miss.
By the same token, you know the pantsers. They scatter like mice when anyone mentions a “synopsis” or asks for plot detail on a manuscript in progress. They write a book so they can figure out how it ends. Where’s the fun in writing if you already know how it ends? They shun graphs and charts, and instead write by the seat of their pants–oftentimes surprising themselves with glee in the process.
I am a reformed pantser, still leaning toward the pantsing side but with enough plotter thrown in so I don’t write myself into a big circle. My writing instructor was a strict plotter. “Why are you letting your character do this?” she would ask. “You write to have something happen, and you create characters to do what you want so the action takes place.”
Huh? To my pantser mind, this made no sense. Don’t characters drive the story? Oh sure, I had a general idea about what I wanted to focus on, plot points to move the story forward, etc. But not let my character drive the story? Why would I write otherwise?
Don’t ever let anyone do this. Different approaches work for different people. I find that I’m a combination of plotter/pantser now, and it works well. As long as you know your characters (including their goals/motivations/conflicts) then use what approach works for you. You’re the one having to crank out pages, splash that paint on the canvas, or sketch that landscape.
Some people wear funky outfits while creating. Some prefer hard rock music, some prefer classical. Others prefer silence. It’s a matter of what creates the best environment for you to create, to call the muse.
Do what works for you–because getting that art created and into the world is all that counts.
:)
Always remember to keep your sense of humor. If you have lost yours, or can’t find yours, then try to absorb someone else’s until you regain yours back.
Have become addicted to Twitter recently. For any Twitter-bees out there, I recommend that you follow actor Christopher Walken. The guy is hilarious. I admit, I have liked him ever since he played Duane, Diane Keaton’s crazy brother, in “Annie Hall” in 1977. Then I heard he was once a lion tamer. That made me like him even more.
Now he’s on Twitter, and he’s got some hysterical posts. If you’re on Twitter, check him out – http://twitter.com/cwalken. It’ll make you laugh. And you know what they say…laughter is the best medicine, so take plenty and call me in the morning!
Elaine
No, not really. That would be impossible. But I have signed up for Facebook and Twitter, and figured I would list all the various technology arenas where you can find me these days:
Twitter: http://twitter.com/writerscanvas
Facebook: Author Elaine
Web Site: www.elainecalloway.com
MySpace: http://www.myspace.com/thewriterscanvas
If you’re active on any of these, stop by and say hello.
I’m back to writing on a rainy, cold day in Atlanta. Last weekend was 73 degrees and beautiful. Today it’s cold and drizzling. Two weeks ago we had snow. It changes constantly around here!
Someone once said, “You never reach the bottom items on your to-do-list, so put writing at the top.” I could have saved hours at writing workshops if I’d only heard that line earlier. That sentence clicked with me, so now I put it at the top. And it does work. I take my Alphasmart Dana with me and write on my work lunch hours; I often stop at a coffeehouse on the way home and write more; and try to do at least 3-4 hours on weekend days.
Whether you’re budgeting 10 minutes or 10 hours to write, it’s also important to stop and refill the well once in awhile. Take an entire day to refill the well. I did this yesterday and not only was it enjoyable, but during a dinner conversation with a friend, I discovered a little tidbit I could put into my current work in progress. This couldn’t have happened if I’d planned it; it was one of those mysterious things that just clicked at the right moment–and it’s ideal. So the day was enjoyable, I met up with old friends I hadn’t seen in awhile, and I got a tidbit for a story.
Now it’s time to return to that manuscript! Make time to refill the well – you’ll be surprised at the gems you come across when you’re not looking for them :)















